The Essex Girls

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The Essex Girls, out on 23 August 2018, is a book I’ve wanted to write for most of my life, because it seems the world has not paid much attention to the lives of mod, working class girls, and I wanted to redress the balance.  When I was about 10 I started to write a book about a girl who didn’t go to boarding school.  Somehow, apart from the Secret Seven books by Enid Blyton, there weren’t that many books around about children who went to day school.  All those boarding school kids had to have their adventures in the long hot summer holidays, whereas in my world we were having adventures on weekdays and weekends. I say adventures – I mean writing the local newspaper, cooking ourselves little restaurant meals, putting on plays for the other kids in the street, and following someone on the estate we were convinced was a spy and noting his movements down in our notebooks (a spy with a very dull life, it turned out).

The problem grew more acute as I got older and became a mod.  There were limitations with being a mod – if you weren’t interested in clothes and music and possibly scooters and if your mum and dad would not have let you go to Clacton or Margate on a Bank holiday, even if you’d wanted to, then there wasn’t  much going on – but there was still a life, and one with a lot of action.  The film Quadrophenia demonstrated that people were interested in mods, but the girls don’t get much of a look in, in the story.

So, out came the notebook and over the pages flew my pen, and then my word processor and then one computer after another.

I hope I’ve captured some of the essence of the excitement of Saturday nights, walking into a dance hall in time to the rhythm of Green Onions, or the smell of Wishing perfume by Avon, or seeing people you knew wearing parkas and leather coats, swooping along the road to park outside the mods’ coffee bar.  It was a great time.

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The Essex Girls is published by Bonnier Zaffre and is available to pre-order here

East London Group Artists 1928-1936

Bryant&Mays Grace Oscroft

I had heard of this group of painters from M, whose friend’s mother knew them well.  There was talk of an exhibition.  On the Bow Road.  In a place called the Nunnery.  And so we went.  We approached from the Grove Hall Park end – a children’s playground and a pretty Memorial Park, full of lavendar and roses.   And then, in a dark narrow alley, a chalk sign pointed us towards the gallery.

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The East London Group Artists were a group of working men and a handful of women who were given the opportunity to paint after their experiences in the First World War.  Their main tutor and driving force was John Cooper, but Walter Sickert was a visiting lecturer and Arnold Bennett a supporter.

It’s a very local set of paintings – images of Bow and Stratford, The Art Classroom (Elwin Hawthorne), The Scullery (Walter Steggles) the moving Kitchen Bedroom (Albert Turpin).  There is a handy map of London indicating the site of the subjects of the paintings.

But there are also the iconoclastic smoker’s paintings – My Lady Nicotine and Pipe and Matches by Henry Silk, and bucolic images of scenes outside the smoke and grime of East London.  Canvey Island (Walter Steggles) as you have never imagined it.

Canvey Island WJ Steggles 002 (1)

The whole exhibition is a powerful reminder of the acknowledgement that we cannot live by bread alone; of the skill and talent which lies dormant in all groups of people which needs to be supported, coaxed, encouraged; and the fact that in this age of ‘austerity’ (for some) and strict curriculum, that talent is not being given the chance to flourish.  It is a lovely space, the exhibition is simply and clearly curated, and there are prints and cards to buy at the end, followed by a good cup of coffee in the cafe – in the sunshine if you’re lucky.

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The exhibition runs until 13 July 2014.  Entrance is free.  It is a rare opportunity to see the work of great but little known artists and learn something of the real history of the East End.